And today, when we try to see great works of art, such as operas or ballets, we find them infected with the long-term fruits of Jewish influence: Negroes and Asians. We see the Asian lifting the White woman in ballet, symbolic of support, which is ridiculously out of place. We see a Negro Commendatore, with the grotesque wooden Negro chesty singing, standing tall in judgment over the sinful Don Giovanni. Entirely absurd, and ‘staged’ to force us last few hoity-toity-ites to accept race-mixing, or to forgo art altogether.