“The International Jew” Study Hour presents:  Carolyn Yeager and Hadding Scott read and comment on Chapter 28:  “Jewish Control of the American Theater.”

The theater has long been a part of the Jewish program. Along with the Press, it is one of the two great means of molding popular opinion. Not only the “legitimate” stage, so-called, but the motion picture industry—the fifth greatest of all the great industries in 1920—is also entirely Jew-controlled, with the natural consequence that now the world is in arms against it’s trivializing and demoralizing influences.  It is the genius of the Jewish race to create problems of a moral character in whatever business they achieve a majority. This chapter tells about the beginnings of the Theatrical Trust, which helped to drive non-Jews out of the business.

Image at right: The advertisement for the 1925 film version of Ben-Hur, favored by Jewish producers apparently because it holds before the public a romantic picture of a Jew – even though a very un-Jewish Jew. But we see how the advertisement is sexualized, a trend that grew under Jewish influence.

Note: We are using the Noontide Press publication of The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.