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Jewish Crypsis – Nose Jobs and More – Part 2

More about Sander Gilman and what drives him, from How Even ‘Good’ Stereotypes Can Be Bad; Myriad Subjects With a Common Thread: The Images We Build to Define Ourselves, New York Times, 21 November 1998:

When ”The Bell Curve” was published in 1994, black groups angrily protested the authors’ suggestion that because black people score lower on intelligence tests, they have genetically inferior mental capacities. But amid the outcry, Sander Gilman spotted what he thought was an equally insidious assumption about Jews. Although the book seemed to pay Ashkenazi Jews a compliment by implying they are smartest because they score highest on intelligence tests, Mr. Gilman, who studies stereotypes, was troubled.

”I thought, ‘This is really scary stuff!’ ” he said. ”This pseudoscience had come back with a vengeance. Positive stereotypes are just as powerful a means of control as negative stereotypes.”

Mr. Gilman said his interest in stereotypes grew out of his childhood in New Orleans. His mother was born in Poland; his father, a truck driver, was American-born of Russian descent. Mr. Gilman said he grew up as a ”double outsider, between white and black.”

”Even though I may have appeared white,” he said, ”I was along this fissure line because being a Jew in the South was not being white.” The Ku Klux Klan was both anti-Jewish and anti-black. Not only that, but he was also acutely aware of the class distinctions between New Orleans’s well-established German Jewish community and its newer Eastern European Jews. Even within his group, Mr. Gilman said, he ”realized that some people were whiter than other people.”

His sense of the power of stereotypes was heightened by the civil rights movement when as a teen-ager he was involved in sit-ins in New Orleans and ”I saw what ugly stereotypes could do.”

During the 1970′s, Mr. Gilman came across photographs of insane people from the 19th century. ”There was a theory in the 19th century that crazy people always look different.” As a result, he wrote ”Seeing the Insane,” about images of the insane in painting and photography.

With that book, he said, ”I started thinking about broader questions of stereotyping, the psychology of what happens when stereotypes begin to be internalized.” He said he realized that he had been avoiding the personal stake he had in his scholarship, his own Jewishness. He began studying how Jews responded to stereotypes of themselves.

”Jewish Self-Hatred: Anti-Semitism and the Hidden Language of the Jews,” published in 1986, was a study of Jewish writers from the 15th century to the present. ”In every case, the Jew is told either directly or implicitly that because he is inherently different, he can never have command of the language of the culture. One reaction is to become better than, not just as good as.”

Jews are neurotic about the physical differences that distinguish them from others, denying that such differences exist or are significant while discussing them at length and spending great deals of money to surgically alter themselves.

Their resentment of the Whites they’re trying to fool comes out in the recurring anti-White slur that can be found in their complaining: shiksa.

Shiksa Goddess, from Television Tropes & Idioms:

The tendency of some Jewish male characters in media to be paired with possibly non-Jewish female characters (“Shiksa” in Yiddish.) These women are often blonde and blue eyed (although shiksas need not be albino, just non-Jewish). Jewish society traditionally looks down on its members marrying outside the faith, and, since early Jewish comedy writers were almost always male, it stands to reason that they would be the ones depicted marrying out.

Note: The word “shiksa” comes from a Hebrew word meaning “abomination,” so it’s generally considered rude to call a non-Jewish woman that.

The meaning of the word is clear from the context in which it is used. They are looking down on non-jews, especially the blonde, blue-eyed goddesses that jewesses see themselves in competition with.

As White power has declined and jewish power increased, some jews no longer see the value in trying to pass for White.

As Ethnic Pride Rises, Rhinoplasty Takes a Nose Dive, Jane Gross, New York Times, 3 January 1999:

The heyday for nose jobs, experts agree, was in the 60′s and early 70′s, when the post-war baby boomers were teen-agers. Parents of Jewish ancestry who knew first-hand of the Nazi atrocities were ever on the alert for stirrings of anti-semitism.

They wanted their own children spared discrimination. And to them, that meant fitting inconspicuously into the Protestant mainstream. ”Jewish parents at that time didn’t want their children to look Jewish,” said Dr. James L. Baker Jr., who practices outside Orlando, Fla. ”They feared a stigma left from the war.”

The physical characteristic that most set Jews apart was their noses, and so legions of teen-agers, usually girls, had them fixed. The technology was primitive compared to today’s and so the results, through the 1970′s, had a cookie-cutter similarity — little ski-jump noses with the bony bridge scooped away.

But that was O.K. with the patients. ”Everybody wanted to look like a shiksa,” said Dr. Thomas D. Rees, a retired plastic surgeon who trained many of the high-priced doctors at work today along Park Ave.

Dr. Antell said he sees older women who have tired of their cute little ski-slope noses and ”want to turn the clock back” and look like real people.

To jews, “shiksas” and their “cute little ski-slope noses” (another recurring term in jewish complaints about the jewish nose) aren’t “real people”.

It’s difficult to imagine White women wanting to look like kikesses, with some eventually getting tired of their giant beaks and wanting to look like real people again. It’s impossible to imagine the New York Times would ever describe it that way, even if it were owned and operated by real people.

Making the Cut, Keren Engelberg, Jewish Journal, 20 January 2005:

Forget the bar mitzvah. Today, nose jobs for American Jews have become so ubiquitous a rite of passage, they’re a cliché.

Jews, who have always had a love/hate relationship with plastic surgery — and their own appearance — have helped create a trend that has now exploded into the mainstream. They were “early adopters” of a surgical technology that has since gone from rare to ubiquitous, from stigmatized to embraced. Jews, out of their very desire to appear less Jewish, made plastic surgery acceptable to the very people whom they were trying to look like.

“Certain kinds of noses speak Jewishness…. Jews assimilating into a largely gentile culture thus strip from our features the traces of our ethnicity. We have other aesthetically assimilating rituals. We straighten curly hair, dye dark hair light. We get very thin to disguise what we often imagine are Jewish-coded thighs and hips. What we choose to treat are precisely the features that are culturally selected as our distinguishing physical traits,” writes Virginia L. Blum in her book “Flesh Wounds: The Culture of Cosmetic Surgery” (University of California, 2003).

Historically, Blum is correct in her observation. This has been our tradition, but in the early years of plastic surgery, it was a survival mechanism against anti-Semitic eugenic philosophies as much as an effort at social acceptance. Supposed ethnic identifiers like Jewish or Irish noses and “Dumbo ears” were a major target of plastic surgery in its earliest stages, as were facial deformities resulting from disease or genetics.

With the advent of antisepsis and anesthesia in the late-18th century, the science of plastic surgery truly began to flourish, with nose jobs the major focus. The first real nose job by modern standards was performed in 1885, by Jaques Joseph, a Jewish surgeon, on a Jewish patient. Other doctors worked to help rid the Irish of the “pug nose” and Jews of “a large, massive, club-shaped, hook nose,” to quote one eloquent anthropologist of the time, Robert Knox.

The ubiquitous fixing of the ubiquitous jewish nose that everybody but jews is supposed to pretend doesn’t exist.

Love/hate is symptomatic of the dual nature of jewish identity – jews love being jews and hate having to hide it. They love themselves and hate the blonde, blue-eyed shiksas with the cute ski-slope noses.

A Bridge Too Far: Jewish Teenagers Are Saying No to Nose Jobs, Rita Rubin, Tablet Magazine, 7 June 2012:

For generations, Jewish girls from well-off families underwent a special rite of passage, one that fell somewhere between their bat mitzvahs and their weddings: their nose jobs. But according to a set of recent statistics, that may be changing: Far fewer nose jobs are being performed than just a decade ago—in what may reflect shifting standards of beauty and perhaps even Jews’ diminishing dissatisfaction with what they see in the mirror.

Indeed, anecdotal evidence seems to confirm that nose jobs are not the status symbol they once were among Jews. “It was like a rite of passage, and it’s not that anymore,” said Babak Azizzadeh, a plastic surgeon in Beverly Hills, who says he no longer sees Jewish parents pushing their teenage children to get rhinoplasty the way they used to.

“It seems likely that the number of Jewish nose jobs has gone down,” said Emory University physician and anthropologist Melvin Konner, author of The Jewish Body. “It’s fair to say that this was once a lot more routine for Jewish girls than it is now.”

Konner goes on to suggest a reason behind the changing attitude toward nose jobs: “I think it’s because of increased ethnic pride and a decreased desire to stop looking Jewish and blend in,” he said, “which is why rhinoplasty was invented.”

“The WASPs are becoming a minority,” said filmmaker Gail Kirschenbaum—and that means that old standards of beauty are changing. “It’s not about trying to have the WASPy nose anymore. What is acceptable and considered beautiful is different now.”

When Haiken was working on Venus Envy, she perused women’s magazines from the ‘30s, ‘40s, and ‘50s; comparing them to women’s magazines today, she noted a definite increase in the diversity of women’s images: “You see Asian models, you see African-American models. You never used to at all.” However, Haiken pointed out, as far as fashion models go, “you don’t see a lot of hooked noses, thick lower lips—the kind of features that are caricatures for Jews.”

Those are jewish characteristics. Caricatures only work to the extent they exaggerate real characteristics.

The Decline of the Jewish Girl Nose Job, Katie J.M. Baker, Jezebel, 7 June 2012:

“I think it’s because of increased ethnic pride and a decreased desire to stop looking Jewish and blend in,” said Emory University physician and anthropologist Melvin Konner, author of The Jewish Body, “which is why rhinoplasty was invented.” Another historian told Tablet that ethnic men and women, like Jews, Italians, and Greeks, used to feel pressure to look like WASPs due to anti-immigration sentiment. But now most U.S. children under a year old belong to racial or ethnic minorities, meaning upturned noses are increasingly less prominent — and, therefore, less desirable.

Kids don’t care so much about looking “All American” anymore. Maybe Lea Michelle is the new Grace Kelly! (Okay, that could be a stretch. But, you know, aesthetically speaking.) “The ideal beauty can be anybody,” said Babak Azizzadeh, a plastic surgeon in Beverly Hills, aka nose-job Mecca. “I think people actually don’t want to assimilate as much.” He writes on his practice’s website that Jewish patients want to keep “their ethnic identity intact.”

At the same time, as national rates go down, more Orthodox Jews feel comfortable getting the surgery because modern rabbis are giving them the go-ahead. One doctor said less religious Jews ask him for eyelid lifts and chin implants, but Orthodox Jews always want nose jobs.

The sentiment seems especially odd coming from the man who produced a pop-punk music video called “Jewcan Sam.” Yes, you heard me — it’s real, and it’s spectacular. (And you really have to see it to believe it, but be warned: the catchy refrain will definitely get stuck in your head.) In the video, the lead singer’s dream girl will only date him if he gets a nose job. “You’ve got a beak like Jewcan Sam. I only go with guys with perfect upturned noses … I will love you till forever if you get your nose circumcised,” the song goes. At the end (SPOILER ALERT), the singer does get the operation — although he still doesn’t get the girl, because she “only dates football players.” What a shiksa.

How to Celebrate Passover, Jewish-Atheist Style, Katie J.M. Baker, Jezebel, 6 April 2012:

When I was eight years old, my best friend’s mother told me, over a spaghetti dinner, that my dad wasn’t Jewish because he didn’t believe in God.

“Yes he is,” I said.

“But he’s an atheist, right?” she asked.

“Yeah,” I said, twirling noodles around my fork.

“Then he can’t be a Jew,” she said, rather definitively, for a Catholic. I burst into tears at the table.

My father has always been very open with me about his atheism, even when I was younger and still believed in a higher power. Whenever I’d ask, “But how do you know there’s not a God?” He’d say, “I don’t. How do you know there’s not a giant pickle behind the sun?” Still — at least in my mind — he was undeniably as much of a Jew as my mother, brother, and I. I had seen his Bar Mitzvah photos. Some of his ancestors had died in the Holocaust. He refused to let us get a Christmas tree because it made him feel (irrationally, he’d admit) uncomfortable. We celebrated Passover, Hanukkah, and the High Holidays every year, sometimes even attending temple services if any of my grandparents were in town. My dad also looks like a mix between Paul Simon and Raffi: in other words, like a mega, mega Jew. So, growing up, I never equated being Jewish with being religious — the former was a huge part of my cultural identity, while the latter was a concept I didn’t quite understand. I may not cry over it anymore, but I still have a difficult time reconciling my Judaism with my feelings about organized religion.

Jewish plastic surgeon in trouble over YouTube song on nose jobs, Haaretz:

In the video clip, yarmulka-wearing Staiman tries to woo a blonde woman, but is rejected.

“Jewcan Sam” – named after “Toucan Sam,” the cartoon mascot for Froot Loops breakfast cereal with a bulging, multicolored beak – has reportedly sparked uproar among some American Jews, who say the song perpetuates a stereotype that does not need any more publicity.

Andrew Rosenkranz, the Florida director for the Anti-Defamation League, called the five-minute video “hurtful” for featuring a Jewish young man who is rejected by a fetching young woman because of his beaky nose, the Huffington Post wrote.

“For hundreds of years Jews have been depicted negatively with distorted features, including large hooked noses,” Rosenkranz was quoted as saying. “It’s a physical trait that is associated with the image of the Jew as someone who doesn’t belong, someone who is alien.”

The Most Talked-About Jewish Nose Jobs, Jewcy:

Sarah Jessica Parker: From Girls Just Want To Have Fun to women just want to go to Abu Dhabi.

Tori Spelling: Beverly High’s own Donna Martin becomes a reality TV star.

ScarJo: The big screen’s Russian-born Black Widow whose maternal family comes from Minsk IRL.

Natalie Portman: the Israeli-born, Long Island-bred actress formerly known as Natalie Hershlag.

Jennifer Grey: the Dalton grad who will always be Baby to us.

According to Bernice Schrank, author of the academic paper “Cutting Off Your Nose to Spite Your Race,” many actors and actresses get their noses fixed to “pass” as a member of the dominant race — and play non-ethnic roles.

The author cites Jewish actress Sarah Jessica Parker’s changed looks as part of her success in playing non-ethnic New Yorker Carrie Bradshaw in the smash hit series “Sex and the City.”

Project MUSE – “Cutting Off Your Nose to Spite Your Race”: Jewish Stereotypes, Media Images, Cultural Hybridity:

This is a paper about “Jewish noses” and how perceptions of them have varied in American popular culture in the twentieth century. The importance of the “Jewish nose” is that it is perceived as one of the most obvious defining feature of Jews. Jews with non-Jewish noses are able to “pass”, by which I mean being able to blend into the dominant culture and thereby being able to become invisible as Jews.

Dirty Dancer Grey’s Nightmare Nose Job, Contactmusic.com:

DIRTY DANCING star JENNIFER GREY’s Hollywood dreams were shattered after a “nose job from hell” changed her appearance so drastically, she looked nothing like her former self.

The 1980s star’s promising career ground to a complete halt overnight in the early 1990s because suddenly nobody recognised her – and even friends would blank her when she bumped into them.

She says, “I went in the operating theatre a celebrity – and come out anonymous. It was like being in a witness protection program or being invisible.

Ethnic Makeovers: Women and Jewish Noses in Hollywood, Pygmalion’s Fantasy.

‘I may be striking – but I’d rather be pretty’, Katie Grant, The Independent, 27 November 2012:

For most of my life, I’ve fantasised about trading in my prominent Jewish nose for a less conspicuous model. I distinctly remember craning my neck aged seven to examine my profile in the mirror one day, and noticing for the first time that, instead of following a clean geometric line ending in a neat point like the other girls in my class, my nose featured a noticeable hump on its bridge before curving downwards into an unsightly hook shape. “I’m the Wicked Witch of the West!” I realised, horrified.

“Don’t worry, you’ll see a vast improvement. I can absolutely make your nose more beautiful, less Jewish and unattractive.” I stormed out, furious. Shattered ego aside, I was appalled that Mr S clearly equated Jewishness with ugliness – it didn’t strike me until later that he had in fact articulated my own private worries.

Over the years, the phrase “Jewish nose” has somehow become shorthand among medical practitioners to denote a race-based physical deformity. In the lead up to the Second World War, as anti-Semitism became increasingly widespread, it became commonplace for Jewish immigrants to undergo surgery to escape social and economic alienation.

In her essay The “Jewish Nose” and Plastic Surgery: Origins and Implications, Beth Preminger explains: “By incorporating this term into their clinical vocabulary, early plastic surgeons unwittingly lent scientific credibility to popular stereotypes about beauty and ethnicity.”

Consequently, the “Jewish nose” was transformed into a “pathological condition for which there existed a medical protocol for correction”.

The Nose Job Jew, YouTube.

On the Nose: A True Story, Nice Jewish Mom:

My pride in being Jewish is as plain as the nose on my face. The nose on my face, however, is not actually mine.

There, I’ve said it. I’ve come clean after nearly four decades. That’s how long it’s been since my nose was “done.”

I’ve remained embarrassed about having had the surgery all my life.

I’m still ashamed to this day, although no longer to the point of needing to lie. How sad it is to be surgically altered rather than learn to take pride in who you are or how you look.

Next to my older brother’s whopper of a snout, mine was a mere Whopper Junior. Why, I eventually asked my mother, wasn’t his nose ever altered, too?

“No comment,” she replied, with an uncomfortable laugh. Neither was she forthcoming on another perplexing area: Why, when my parents were harping incessantly about the need for me to marry a fellow Jew, did they need to make me look less Jewish?

For isn’t that, in essence, what Jews having nose jobs is all about? (Or, as my above-mentioned, extremely direct friend Suzanne insists, isn’t it about Jewish men lusting after Gentile women – fine-featured shiksa goddesses?)

This, though, is what I really want explained: I went on to marry a nice Jewish man. Meanwhile, my brother, with his muzzle intact, ended up marrying a Catholic. Ironic? Yes.

Rhinoplasty – A Woman Tells Why She Resisted a New Nose, Lisa Lewis, ELLE, 27 April 2010:

Yet by 2006, when I was 24, single, and working in film production in New York City, it became clear that my mother wasn’t the only one who reacted negatively to my nose. People stopped me on the street to tell me I looked like Barbra Streisand. Japanese tourists wanted to take pictures with me. Hairstylists told me I needed to play down my nose—“no offense.” I started writing down the unprovoked remarks in a journal; in one year, I recorded 59.

September 23, 2006

Gay man at a party in Williamsburg: “Damn, girl, why you never got that thing taken off?”

A woman overhearing: “I like it, don’t get it fixed.”

Her friend: “You’re Jewish, right?”

Dreyfus, Kant and Nose Jobs, ck, Jewlicious, 13 Jan 2006:

Sander Gilman considers philosophical and historical questions rarely broached by cosmetic surgeons or their patients. He looks at how new notions of race, beauty, and happiness arose in the 18th and 19th centuries, and how these turned “the Jewish nose” into an obsession for Jews and non-Jews alike. How are ideals of beauty informed by notions of race and ethnicity? How does external appearance relate to emotional well-being? And how has plastic surgery affected debates about Jewish identity?

The Jewish nose an obsession for non-Jews? Consider Alfred Dreyfus, he of the notorious Dreyfus affair that inspired a certain Austrian journalist named Herzl to found a new movement. Dreyfus’ nose in the photo is unremarkable, but it takes on leviathan proportions in the minds of anti-semitic French caricaturists (see below).

I think what we can learn from all this is that haters will hate, no matter what. Anti-Semitism and other forms of hate are innately irrational. Dreyfuss had an ordinary nose, and they still depicted him in the most grotequely anti-semitic way possible. German Jews pioneered nose jobs and 45 years later they were being shoved into ovens by the people whose approval they sought.

Why I’ ll Never Get a Nose Job, Lisa Miya-Jervis, from the book Adiós, Barbie, July-August 1999:

My big honkin’ nose makes it clear I’m Jewish—and I wouldn’t change it for the world

I’m a Jew. I’m not even slightly religious. Aside from attending friends’ bat mitzvahs, I’ve been to temple maybe twice. I don’t know Hebrew; my junior-high self, given the option of religious education, easily chose to sleep in on Sunday mornings. My family skips around the Passover Haggadah to get to the food faster. Before I dated someone from an observant family, I wouldn’t have known a mezuzah if it bit me on the butt. I was born assimilated.

But still, I’m a Jew, an ethnic Jew of a very specific variety: a godless, New York City–raised, neurotic middle-class girl from a solidly liberal-Democratic family, who attended largely Jewish, “progressive” schools. When I was growing up, almost everyone around me was Jewish; I was stunned when I found out that Jews make up only 2 percent of the American population. For me, being Jewish meant that on Christmas Day my family went out for Chinese food and took in the new Woody Allen movie. It also meant that I had a big honkin’ nose.

Their lust for the button nose is probably more a desire for a typical femininity than for any specific de-ethnicizing. But given the society in which we live, the proximity of WASPy white features to the ideal of beauty is no coincidence. I think that anyone who opts for a nose job today (or who pressures her daughter to get one) would say that the reason for the surgery is to look “better” or “prettier.” But when we scratch the surface of what “prettier” means, we find that we might as well be saying “whiter” or “more gentile” (I would add “bland,” but that’s my personal opinion).

Even though I know plenty of women with their genetically determined schnozzes still intact, sometimes I still feel like an oddity. From what my mother tells me, nose jobs were as compulsory a rite of passage for her peers as multiple ear-piercings were for mine. Once, when I was still in high school, I went with my mother to a Planned Parenthood fund-raiser, a cocktail party in a lovely apartment, with lovely food and drink, and a lovely short speech by Wendy Wasserstein. But I was confused: We were at a lefty charity event in Manhattan, and all the women had little WASP noses. (Most of them were blond, too, but that didn’t really register. I guess hair dye is a more universal ritual.)

“Why are there no Jewish women here?” I whispered to my mother. She laughed, but I think she was genuinely shocked. “What do you mean?” she asked. “All of these women are Jewish.” And then it hit me: It was wall-to-wall rhinoplasties. And worse, there was no reason to be surprised. These were women my mother’s age or older who came of age in the late ’50s or before, when anti-Semitism in this country was much more overt than it is today. Surface assimilation was practically the norm back then, and those honkers were way too, ahem, big a liability on the dating and social scenes.

Only once did I feel uneasy about being “identified.” At my first job out of college, my boss asked, after I mentioned an upcoming trip to see my family, “So, are your parents just like people in Woody Allen movies?” I wondered if I had a sign on my forehead reading “Big Yid Here.” His comment brought up all those insecurities American Jews have that, not coincidentally, Woody Allen loves to emphasize for comic effect: Am I that Jewish? I felt conspicuous, exposed. Still, I’m glad I have the sign on my face, even if it’s located a tad lower than my forehead.

Judaism is the only identity in which culture and religion are supposedly bound closely: If you’re Irish and not a practicing Catholic, you can still be fully Irish; being Buddhist doesn’t specify race or ethnicity. To me, being a Jew is cultural, but it’s tied only marginally—even hypothetically—to religion, and mostly to geography (New York Jews are different from California Jews, lemme tell ya). So what happens when identity becomes untied from religion? I don’t know for sure. And that means I’ll grab onto anything I need to keep that identity—including my nose.

Af – A documentary about Jewish noses, YouTube:

What does it mean to have a Jewish nose, and what does it mean to want to change it?

The podcast will be broadcast and available for download on Tuesday at 9PM ET.

 
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The Robbery of Our Rainbow and Other Crimes

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Andrew Anglin live from Athens, Greece

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How the Jews Use Power, By an Eyewitness – Episode 57

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Jewish Crypsis – Nose Jobs and More – Part 1

Concerning the characteristic physical appearance of jews – specifically how they regard, alter and explain away these characteristics.

There are several general physical distinctions bewteen Whites (specifically the northern European/Nordic/Aryan ideal) and jews. Aryans are relatively tall, slim, light skinned, blue eyed, blond haired, with straight, narrow noses; while jews tend to be relatively short, dumpy, dark skinned (I said sallow in the podcast, but I see now there is disagreement whether that word means olive or pale), dark eyed, black haired (often frizzy or curly, the so-called “jewfro”), with large, misshapen noses.

Jews themselves make a big deal about these differences, lamenting that Aryan traits epitomize what is widely considered healthy-, fit-, or athletic-looking.

The Poisonous Mushroom, available at archive.org, also known as, Der Giftpilz, which is described by Wikipedia as:

a children’s book published by Julius Streicher in 1938.[1] The title is German for “the toadstool” or “the poisonous mushroom”.

An excerpt, relevant to this topic, is How to Tell a Jew:

Background: This story comes from Der Giftpilz, an anti-Semitic children’s book published by Julius Streicher, the publisher of Der Stürmer. He was executed as a war criminal in 1946.

“One can most easily tell a Jew by his nose. The Jewish nose is bent at its point. It looks like the number six. We call it the ‘Jewish six.’ Many Gentiles also have bent noses. But their noses bend upwards, not downwards. Such a nose is a hook nose or an eagle nose. It is not at all like a Jewish nose.”

“Right!” says the teacher. “But the nose is not the only way to recognize a Jew…”

The boy goes on. “One can also recognize a Jew by his lips. His lips are usually puffy. The lower lip often protrudes. The eyes are different too. The eyelids are mostly thicker and more fleshy than ours. The Jewish look is wary and piercing. One can tell from his eyes that he is a deceitful person.”

The teacher calls on another lad. He is Fritz Müller, and is the best in the class. He goes to the board and says:

“Jews are usually small to mid-sized. They have short legs. Their arms are often very short too. Many Jews are bow-legged and flat-footed. They often have a low, slanting forehead, a receding forehead. Many criminals have such a receding forehead. The Jews are criminals too. Their hair is usually dark and often curly like a Negro’s. Their ears are very large, and they look like the handles of a coffee cup.”

The teacher turns to the students.

“Pay attention, children. Why does Fritz always say ‘many Jews have bow legs’, or ‘they often have receding foreheads,’ or ‘their hair is usually dark’?”

Heinrich Schmidt, a large, strong boy in the last row speaks.

“Every Jew does not have these characteristics. Some do not have a proper Jewish nose, but real Jewish ears. Some do not have flat feet, but real Jewish eyes. Some Jews cannot be recognized at first glance. There are even some Jews with blond hair. If we want to be sure to recognize Jews, we must look carefully. But when one looks carefully, one can always tell it is a Jew.”

Compare with Stereotypes of Jews, Wikipedia:

Physical features

In caricatures and cartoons, Jews are often depicted having dark skin, curly black hair, large hook-noses, thick lips, dark-colored beady eyes[3] and wearing kippahs.

Jews are commonly caricatured as having large noses[4] or hook noses.[5] Jews are also portrayed as swarthy and hirsute.

The implication on this page, which is typical, is that “stereotype” means “imaginary”, but jews are all too aware that such physical differences are real.

Sander Gilman (more below) singles out the nose as the key physiological sign of the jew. To the extent this is so, the “nose job” (rhinoplasty) is a key sign of jewish crypsis.

Rhinoplasty was pioneered by a jew, Jacques Joseph, in Germany at the end of the 19th century. Jews have since driven the development of plastic surgery in general, both supply and demand.

In Controlling Anti-Jewish Stereotypes: The Case of the “Hook-Nosed Jew”, Lasha Darkmoon notes how jews often play up the stereotype:

It seems that many Jews, far from shrinking from mention of their noses, never lose an opportunity to reinforce this particular stereotype by referring to their own noses negatively if there is no one else around to do so. When Jewish cemeteries are vandalized or swastikas are found defacing walls, the culprits on numerous occasions have turned out to be Jews. (See, e.g., here and here.) So it is with the legendary “Jewish nose”: a protected species of stereotype deliberately nurtured and kept alive by organized Jewry for propaganda purposes.

This can be seen as one of several ways jews attempt to hide what seems too obvious to be hidden:

  • Embrace and exaggerate it, own it, preempt others from doing so.
  • Make it taboo/illegal for anyone else to talk about it.
  • Alter reality with surgery.

Sander Gilman is a jewish author, intellectual – a prolific apologist for jews. He embodies the duality of jewish physical differences – discussing them in great detail only to explain them away.

Gilman’s book, The Jew’s Body, published in 1991, is described by a reviewer as:

Drawing on a wealth of medical and historical materials, Sander Gilman sketches details of the anti-Semitic rhetoric about the Jewish body and mind, including medical and popular depictions of the Jewish voice, feet, and nose.

The jewish psyche was previously discussed in Race and Genetics – Part 4 and Part 5. German scientist Fritz Lenz noted racial differences in mental traits, for example the jewish fondness for Lamarckism and the Nordic fondness for objectivity:

The jewish inclination toward Lamarckism [anti-racism] is obviously an expression of the wish that there should be no unbridgeable racial distinctions.

Gilman is much like Raphael Patai (The Jewish Mind, The Myth of the Jewish Race) in that these are jews who scrutinize jewish traits only to minimize or explain them away.

Gilman has supplemented and published one chapter of The Jew’s Body as The Jewish Nose: Are Jews White? Or the History of the Nose Job:

When the Lubavitcher Manis Friedman, the dean of the Bais Chana Women’s Institute in St. Paul, preaches that “jews are different. Let’s accept it and be thrilled,” one can only agree. But his sense of difference is cast in a language that itself is contaminated with the sense of a negative jewish difference, a difference of the jewish body. He continues, “For 2000 years we have come denied our uniqueness. We have tried to come to the world as if we were normal. Well guess what? The world hasn’t bought it, and they never will.” According to Friedman, jews aren’t normal.

What appears to be the original version can also be downloaded as a PDF or viewed online at Google Books.

The podcast will be broadcast and available for download on Tuesday at 9PM ET.

 
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Black Demagoguery and Civil Rights

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Interview with Bradley Smith, Founder of CODOH

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Will Jewish Zionism Bring Armageddon? – Episode 56

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Jewish Crypsis – The Name Game

Analysis of an elementary and potent aspect of jewish identity and crypsis.

The film Gentleman’s Agreement portrayed the change from White to jew as requiring just two elements: a change in name, and telling people you’re a jew. That’s closer to the truth for the reverse, when jews pose as White, many times it’s as simple as changing names and NOT telling anyone they’re a jew.

Jews are well known for changing names in order to pass, a deception and disguise which benefits them, enabling them to better manipulate the opinions and perceptions of others.

The Gentle Art of Changing Jewish Names, from THE DEARBORN INDEPENDENT, issue of 12 November 1921:

Prior to the nineteenth century the Jews resident in Germany did not use family names. It was “Joseph the son of Jacob,” “Isaac ben Abraham,” the son being designated as the son of his father. But the Napoleonic era, especially following upon the assembly of the Great Sanhedrin under Napoleon’s command, caused a distinct change in Jewish customs in Europe.

In 1808 Napoleon sent out a decree commanding all Jews to adopt family names. In Austria a list of surnames was assigned to the Jews, and if a Jew was unable to choose, the state chose for him. The names were devised from precious stones, as Rubenstein; precious metals, such as Goldstein, Silberberg; plants, trees, and animals, such as Mandelbaum, Lilienthal, Ochs, Wolf, and Loewe.

The German Jews created surnames by the simple method of affixing the syllable “son” to the father’s name, thus making Jacobson, Isaacson; while others adopted the names of the localities in which they lived, the Jew resident in Berlin becoming Berliner, and the Jew resident in Oppenheim becoming Oppenheimer.

The Jewish habit of changing names is responsible for the immense camouflage that has concealed the true character of Russian events. When Leon Bronstein becomes Leo Trotsky, and when the Jewish Apfelbaum becomes the “Russian” Zinoviev; and when the Jewish Cohen becomes the “Russian” Volodarsky, and so on down through the list of the controllers of Russia—Goldman becoming Izgoev, and Feldman becoming Vladimirov—it is a little difficult for people who think that names do not lie, to see just what is transpiring.

Indeed, there is any amount of evidence that in numberless cases this change of names—or adoption of “cover names,” as the Jewish description is—is for purposes of concealment.

How Did Jews Choose Their Last Names?, Forward.com, 9 July 2008:

When talking about Jewish family names, or at least, about the names of the Ashkenazic Jews of Eastern and Central Europe from which the great majority of American Jews descend, it is important to keep one fact in mind: Until the late 18th or early 19th century, very few Jews had such names at all. Every Jew, that is, had a Jewish “last name,” but it was a personal one that was not passed on to children, since it was the name of one’s father that was used on ritual occasions. If your name was Boruch and your father’s name was Simcha, you were called up to the Torah as Boruch ben-Simcha; if your name was Rokhl and your father’s name was Dovid, you were mentioned in a ketubah or marriage contract as Rokhl bas-Dovid. But your son Aryeh was called to the Torah as Aryeh ben-Boruch, and your daughter Rivka was written in the ketubah as Rivka-bas-Eliahu (if that was the name of Rokhl’s husband). Such “last names” were one-generational.

The introduction of permanent last names into European Jewish life came with the decision of European governments to make their Jewish populations, which had previously been granted a large measure of communal autonomy, fully subject to the same state regulations and bureaucratic record-keeping as were other citizens. In the Austrian Empire, which ruled much of southern and eastern Poland, Jews were ordered to take such names in the 1780s and ’90s; in Germany, in 1797; in tsarist Russia, in 1804.

The jewish name game is often associated with “anti-semitism”, which is to say that jews regard the outing of jews who are trying to pass (commit fraud) as “bad for the jews”. The problem, according to jews, is not the fraud but the person who calls attention to it.

Tony Curtis, Jewish Movie Star, Dies at 85, by Danielle Berrin (Hollywood Jew) at Jewish Journal, September 2010:

There may have been Jewish movie stars before Curtis, from Emmanuel Goldenberg (Edward G. Robinson) to Issur Danielovitch (Kirk Douglas). But none of them sounded like Bernie Schwartz, who even after he changed his name was unmistakably a Jewish street kid from the East Side of Manhattan. It’s no coincidence that the one line of Curtis’ that everybody knows is “Yonda lies da castle of my fadda”—a silly phrase given an ethnic mangling, it seems to encapsulate his whole career and persona.

The line didn’t become notorious, Curtis says, until Debbie Reynolds made fun of it on a talk show: “Did you see the new guy in the movies? They call him Tony Curtis, but that’s not his real name. In his new movie, he’s a got a hilarious line where he says, ‘Yonder lies the castle of my fadda.’”

“You could chalk her ridicule up to my New York accent,” writes Curtis (as channeled by Peter Golenbock), “but when she mentioned the issue of my real name on television, I began to wonder if there was something anti-Semitic going on there.”

This excerpt is just one small piece of a longer tale of woe about how this movie star jew was supposedly bullied and victimized in jew-run Hollywood.

David Copperfield’s Magical Relationship With God and Judaism, Forward.com, 4 July 2013:

Born David Seth Kotkin, the son of middle-class parents in Metuchen, N.J., Copperfield sees a direct link — indeed, a historical connection — between being Jewish and achieving the most stunning and unlikely feats.

“Being Jewish is all about picking yourself up by your bootstraps,” he told the Forward. “When people are beating you down and throwing you out, you just dust yourself off and make the best of it. That’s the Jewish upbringing. And magic is about taking adversity and turning it into a smile, taking the no’s and turning them into yesses. Magic is about making people dream.”

Copperfield attended Hebrew school, became a bar mitzvah and to this day honors his roots. It’s an important part of who he is — “for better or worse,” he added. “I have a personal relationship with God and I pray a lot. My kids go to Hebrew school.”

Being jewish is more about ethnic networking and tribal nepotism and boosterism (as for example engaged in by Forward.com). Magic is about illusion. It’s about duping and tricking people using misdirection and manipulation.

On the emotionally charged topic of name changing, Copperfield said he initially planned to be an actor and didn’t think “Kotkin” was a good actor’s name. While the title character in the Dickens classic is memorable and nobody else in show biz has it, Copperfield is not sure, were he just starting out now, whether he would change his name at all, as prevailing sensibilities have evolved. If he had it to do over, he said, he might not pick “Copperfield” because he now views Charles Dickens as anti-Semitic.

Fagin was a fictional thief whom Dickens clearly identified as a jew. Kotkin is a real thief who stole a Dickensian name to help make himself rich and famous, deceiving the goyim as to his true identity. Naturally, in Kotkin’s mind, Dickens is the criminal.

The jewish name game is an “emotionally charged topic” because jews make a big stink about being outed as jews.

Consider the May 2013 exchange between Jon Stewart and Donald Trump.

Twitter / TheDailyShow:

By the way, did you know Donald Trump’s birth name is F**kface Von Clownstick?

Twitter / realDonaldTrump:

What’s funny about the name “F**kface Von Clownstick” — it was not coined by Jon Leibowitz– he stole it from some moron on twitter.

In Donald Trump Outs Jon Stewart as a Jew, Elspeth Reeve at The Atlantic Wire asserted:

The whole punchline of Trump’s tweet is that Stewart is Jewish.

Actually, that was her point. Trump’s point was that Leibowitz is a hypocrite.

What is most relevant to our topic here is that certain names are obviously jewish, that these are the kinds of names that jews deliberately change, and that they act as if somebody else is doing something wrong when their fraud is exposed.

Should Jon Stewart change his name back to Jon Leibowitz?, by hyper-jew Ron Rosenbaum at Slate Magazine, July 2009:

And, on a more serious note, it would represent the end of a shabby, antiquated era, pronouncing that aspect of anti-Semitism now (hopefully) dead and gone. It might even make it easier for young comedians, actors, and rock stars to resist the temptation to try to “pass.” (Although, frankly, I hope that Gene Simmons of Kiss keeps his origins hidden from those who don’t know about them.) It could be an important cultural moment.

Don’t you think it’s about time for Jews to reject the rejection of their ancestry and the WASP-ification of their names? Not just you, but all Jews in show business, indeed all Jews in business business. The practice might once have served a purpose, back in the ’20s and ’30s, when it was insisted upon by powerful but fearful Hollywood movie moguls who wanted Jewish talent but were afraid of Jewish names seeming un-American to the mass of the populace who, it’s probably true at that time, suffered from a low-grade case of anti-Semitism. Or nativist hostility to foreign names in general. So Issur Danielovitch Demsky became Kirk Douglas. (You could have gone with Kirk Leibowitz.)

It’s strange, isn’t it? Shouldn’t that era be long over?

We see in this how “anti-semitism” serves jews as a scapegoat for any kind of jewish malfeasance, no matter how obscure. Even if nobody else complains, jews will whine about it themselves and blame the jewish misbehavior on “anti-semitism”.

Rosenbaum’s comparison to Michael Jackson and his family revelations are telling:

I guess you could make the case that Michael just happened to think he looked better that way, that there’s no need to introduce theories about racial pathology, or the oppressed internalizing the aesthetic values of the oppressor, into the discussion. He had every right to make himself look white if he felt like it.

But it’s hard to believe that his decision to change his skin from black to white wasn’t a reaction to racism, to seeing the ugly way people with dark skin were treated even by members of his own race with lighter skin. Well, you can say that feeling, that attitude, belongs to a sad time that has thankfully passed.

At this point, wouldn’t changing your name be just an honorable thing to do as well as a long-overdue symbolic celebration of the passing of the age of “passing”? I will admit I have a personal interest in this matter since I have a recognizably Jewish name. I want to tell you two quick stories about my mother and father. My mother couldn’t get a teaching job during the Depression, and in order to get any regular secretarial work, she felt she had to change her name in Morgenstern-to-Morningstar fashion. No, it wasn’t Dachau-style anti-Semitism she was reacting to; it was more “gentleman’s agreement”-style, country-club anti-Semitism, but there was something ugly about the necessity of the change, nonetheless.

Note that the “honor” Rosenbaum refers to is for jews and jewish identity, not at all for the “ugly” enemies it used to be necessary to fool.

And yet there it still is: Jon Stewart. A faint but unnecessary relic of anti-Semitism. You know, Jon, the treatment of Jewish names is often a barometer of that social disease.

Jews telling jews that they can stop the pretense that they’re not jews is a barometer not only of jewish power but of the fundamentally fraudulent, duplicitous nature of jewish identity.

Now, you have every right to wonder why I’m singling you out like this. I think it has something to do with what I like most about your show, which is that you, like the best satirists, focus on making fun of those who put up a false front. Not that Stewart is false in any malign sense of the word. (It was your middle name—well, Stuart was!) But that it’s a kind of mask, and you spend most of your time making fun of the pretentious masks that politicians, celebrities, and big shots adopt.

You’re all three now—a politician, a celebrity, and a big shot—in the sense that you have remarkable influence politically.

So Rosenbaum called out Leibowitz’s name-game-related hypocrisy in 2009. Nobody accused Rosenbaum of “anti-semitism” because he is a jew and his argument was that Leibowitz calling himself Leibowitz would be good for the jews.

The Name Game, by Teresa Strasser in Jewish Journal, is a good example of typically jewish neurotic anxiety regarding the importance of names and jewish identity:

When we were little, my brother and I realized that whenever we asked if someone was Jewish, my mother would answer by simply repeating their name, as if that said it all.

“Irving Fishbaum? Ira and Esther Lefkowitz? C’mon.”

We decided to see if we could induce this behavior and selected the perfect test case. When she came home one day, we ambushed.

“Mom, are Simon and Garfunkel Jewish”?

She looked at us, lowering her head and raising her eyebrows. “Paul Simon and Art Garfunkel? C’mon.”

That was before we understood that names could be obviously Jewish, that any name containing “gold,” “silver,” “green,” “fish,” “blatt,” “baum,” “stein,” “feld” or “witz” was usually a dead giveaway. That was before we knew that Shapiro was Shapiro and Kaplan was Kaplan. Kaplan? C’mon. This is still a family joke and if she’s distracted, you can sometimes get her to do it to this day.

“Mom, is Itzhak Pearlman Jewish?”

“Itzhak Pearlm — oh, stop it.”

If Jewish names are on a scale of one to Hadassah Lieberman, mine may be a one.

When I was 20, an editor at a Jewish newspaper walked up to my desk on my first day of work, didn’t introduce himself, didn’t shake my hand, just looked at me and asked, “What’s a Jew doing with a name like Teresa?” I told him he could call me Rachel if it would make him feel better.

My parents insist they did me no wrong by not calling me Jodie or Debbie or Stacy. Teresa is a good Hungarian name they say, my great-grandmother’s name, although she was called Tess.

Until recently, I’ve always appreciated having an ambiguous name. It’s nice to reveal your ethnicity only when you feel like it, when it feels safe, when it’s your choice. Now, however, I wonder what it would have been like to be called Ruth Oppenheimer or Shoshana Hirshfeld. My life would have been totally different as Mona Moskowitz, who isn’t kidding anyone.

Growing up, I never really liked the sound of Jewish surnames, their Germanic bite, all the connotations and stereotypes from which I was happy to distance myself. I planned to do away with my own surname, vague as it may be, and fantasized about becoming Teresa Willis or Teresa McBride. I figured I’d marry a guy with a nice vanilla moniker, and that would be that. I could monogram my way into belonging. I’d have a name people could spell and pronounce.

I tell you, I must be undergoing some major self-acceptance because out of nowhere, Jewish names are starting to sound downright … sexy.

As an adult, I’ve always planned to keep my last name if I got married, but I still play the dating name game, taking surnames out for a spin. Teresa Cohen? Teresa Goldstein? I still enjoy the sheer, unabashed WASPiness of Teresa Tyler or the incredible misdirect of Teresa Puccinelli, but I no longer cringe from Teresa Saperstein.

As a Jew, your name identifies you. I never wanted to run from that, but I welcomed the option to “pass.” Now I wonder what it would be like to remove all doubt. “I’m Teresa Blumenfeld, nice to meet you. Yeah, Blumenfeld.”

Teresa Strasser, Wikipedia:

Strasser married Daniel Wachinski, an IBM accountant, in a small ceremony at the Venetian in Las Vegas, Nevada, on June 25, 2008.

French Jews win right to choose their own names, The Times of Israel, 3 April 2013:

After decades of denying Jews the right to change their French last names to their original Jewish ones, the French Ministry of Justice recently revised its position.

Fearful of anti-Semitism, many French Jews decided to adopt French surnames in the late 1940s and ’50s.

“Even though the French administration never forced them to adopt less foreign-sounding names, they were highly encouraged to do so,” says Céline Masson, a lecturer in psychoanalysis at Université Paris-Diderot and a co-founder of La Force du Nom (“The Strength of the Name”), a Paris-based organization that lobbies for the right to reclaim old names.

Nearly 70 years after World War II, many descendants of both Holocaust survivors and Jews from North Africa have decided to reconnect with their roots by taking back the names of their ancestors.

French law, however, stipulates that once changed, a last name is considered “immutable.” It also prohibits citizens from reverting to a “foreign-sounding name.”

“We’re talking about a very small minority here,” [Céline Masson, a lecturer in psychoanalysis at Université Paris-Diderot and a co-founder of La Force du Nom (“The Strength of the Name”), a Paris-based organization that lobbies for the right to reclaim old names] Masson told The Times of Israel. “So far, we’ve had about 30 cases or so. But in a country where 76,000 Jews were deported [during the Holocaust], it’s bound to be a powerful debate.”

In their applications, both advocates argued that allowing the reversion to previous names constitutes a “symbolic reparation” that France owes its Jewish citizens.

Backed by years of experience as a psychoanalyst and her personal history, Masson explains that changing one’s name can represent a “trauma,” especially for younger generations that now want to reconnect with their Jewish roots and family past.

In some cases, certain family members choose to revert to their old Jewish names, while others maintain the newer one.

“Sometimes family members don’t agree on what their name should be and what it represents,” Masson said. “I’ve seen cases where children feel like having a Jewish name, and the parents or the grandparents don’t, or vice versa.”

“This is the kind of problem we didn’t think we would encounter at first,” she continued. “But this is definitely something we ought to analyze more in the years to come. It is yet another interesting aspect of how complex a Jewish identity can be, even today.”

Some Jews in France wish to revert to family names, Los Angeles Times, July 2010:

A portion of the French civil code adopted after the war stipulates that family names are “immutable” and must be continued. The civil code allows “foreign sounding” names to be changed to those considered more French-like, but declares the “impossibility” of reverting.

In the 1940s and ’50s hundreds of thousands of Jews, many still reeling from the Holocaust, arrived in France. Mainly poor and stateless, and fearful of latent anti-Semitism in a country from which 76,000 Jews were dispatched to concentration camps, most were just grateful to be allowed to stay.

There was no legal obligation for them to drop their family names, but they often were encouraged to do so. Many people agreed to new French-sounding names even when the new names bore little relation to the ones they had passed down through generations: So the Rozenkopfs became the Rosents; the Frankensteins the Franiers; the Wolkowiczs the Volcots.

“When he was naturalized, my grandfather was asked if he wanted to French-ify his name, and Fazel was suggested. He didn’t really agree but was under the impression there was no real choice,” Jeremie Fazel says.

“He never complained. Remember these were people who, after what they had been through, just wanted to live in peace. They would do anything to blend in.”

When Celine Masson’s family — originally surnamed Hassan — arrived in eastern France in the 1960s among a wave of Jewish emigres from Tunisia, French officials suggested making the name sound more French-sounding. Again, while not forced to change, Celine Masson’s father agreed to do so.

“There was a lot of anti-Semitism in those days,” said Masson, a senior university lecturer in psychoanalysis. “Even after changing it there were people who stopped buying from his furniture store when they discovered he was Jewish.

“I was born a Masson, but the name means nothing,” she said. “It carries no history, it says nothing about my family, my roots, where we came from.”

Masson has set up an organization called La Force du Nom (The Strength of the Name) with French lawyer Nathalie Felzenszwalbe — whose family retained its name — representing more than 30 French Jews who want to change their names to reflect family origins.

“Everyone needs to know where they come from. A family’s name is part of the compass in life,” Fazel said.

Names are one of the more outwardly visible and important indications of a person’s identity. Certain names, by themselves, are enough to identify jews. Jews are aware of this, and often change their names to disguise themselves, to fool Whites into mistaking them for “us”.

The podcast will be broadcast and available for download on Tuesday at 9PM ET.

See also The Gentle Art of Changing Jewish Names – Episode 75 for a complete reading of Chapter 70 of The International Jew, with commentary by Carolyn Yeager and Hadding Scott.

 
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Racial Politics in the Aftermath of the Zimmerman Verdict

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