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Oswald Mosley

Published on July 3, 2013 by in Blog

This month’s special program comprises three audio tracks of Oswald Mosley. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.

Oswald Mosley, via Metapedia:

Sir Oswald Ernald Mosley, 6th Baronet (November 16, 1896 – December 3, 1980) was a British politician and founder of several nationalist organizations, the most notable being British Union of Fascists and Union Movement. Educated at Winchester and Sandhurst he fought with the 16th Lancers on the Western Front during the First World War. He later transferred to the Royal Flying Corps but was invalided out of the war after a plane crash in 1916.

The first selection is Mosley Set to Music, via National-Socialist Worldview:

Sir Oswald Mosley (1896 -1980) was the leader of the British Union of Fascists, and a friend of National-Socialist Germany. (He was also an hereditary baronet and fourth cousin of the mother of Queen Elizabeth II.)

The Westminster Gazette in the 1920s called Mosley “the most polished literary speaker in the Commons, words flow from him in graceful epigrammatic phrases that have a sting in them for the government and the conservatives. To listen to him is an education in the English language, also in the art of delicate but deadly repartee. He has human sympathies, courage and brains.”

The original message was recorded by Mosley (without musical backing) in 1938. The original text appears below. Notably omitted from the musical adaptation is Mosley’s reference to the national-socialist and also every specific reference to Britain.

In this brief speech Mosley advocates a revolutionary spirit and calls for revolution by Britons.

The audio itself is blood axis – sarabande oratoria, on YouTube. The length is 4:05, including music.

The second selection is Oswald Mosley Speaks for European Unity, from YouTube. The length is 10:08. The audio is of relatively poor quality, including a few lengthy drop outs. The uploader’s description:

Oswald Mosley Leader of Union Movement speaks for EUROPE A NATION in 1951.

At the start Mosley identifies his opponents:

I speak for Union Movement. We stand for a change in this country. For that reason we are either abused or boycotted by those who want to keep things as they are. The financiers, the vested interests and the old parties who serve them hate our movement and use their money power to destroy us. They control directly or indirectly the press, the cinema and the radio. That is why you hear nothing of union movement except silly abuse which has no relation to truth.

The third selection is Oswald Mosley – Make Europe A Nation 1964, from YouTube. The length is 44:29. The uploader’s description:

Oswald Mosley gives a firey speech in 1964 about his vision for a united Europe. This speech was given some 18 months after the Venice Conference and his meeting with the heads of numerous European political parties which called for the formation of a National Party of Europe.

According to Metapedia, the National Party of Europe was created by the Declaration of Venice, an initiative undertaken by a number of political parties in Europe during the 1960s to help increase cross-border co-operation and work towards European unity. The idea of an NPE began when Oswald Mosley launched his Europe a Nation campaign after World War II.

More information about Mosley is available from oswaldmosley.com. Most notable is the special emphasis placed on Mosley’s attitudes regarding jews. Near the top of the list of Top 10 Lies about Oswald Mosley:

2. Oswald Mosley and his supporters were anti-Semitic.

Oswald Mosley never criticised anybody for what they were born. But he didn’t believe that Jews were the only people in the world immune from criticism. Oswald Mosley criticised some Jews for what they did, not all Jews for what they were. That’s why Jews like John Beckett (British Union Director of Publications), Bill Leaper (Editor of the Blackshirt) and Harold Soref (later Tory M.P. for Ormskirk), and the Jewish boxer Kid Lewis had no problem supporting him.

This item links to an article titled Antisemitism – British Union and the Jews. It is without attribution and not dated, but presumably represents Mosley’s position at some time after World War II. It begins:

More drivel is talked about the Jews than most subjects; both ways. The views that all Jews are born wicked, or that all Jews should be the sacred objects of the system, seems to me equal nonsense. I am neither an anti-Semite, nor a sycophant of Semites. The attitude of our movement has been both consistent and intelligible throughout. We have never attacked any man on account of race or religion, and we never shall. But we attack any man, whatever his race or religion, who acts against the interests of Britain or Europe; particularly Britons who ought to know better than to serve alien interests. It is a straightforward attitude, which has been formed by clear principles.

Why then have we been involved in clashes with Jewish interests, and why are so many Jews violently against us? The answers again are clear. Before the war I believed that certain great Jewish interests were trying to involve us in war, not in a British, but in a Jewish quarrel: I still believe it. The reasons for our belief and for the Jewish action are equally intelligible. It is true that a considerable number of Jews were having a bad time in Germany, and it can also be argued that if a similar number of Englishmen had been having an equally bad time in Germany, there would have been a demand among many Englishmen for war against Germany. But it is beyond question from the evidence of the period, that powerful Jewish interests were trying to produce war between Britain and Germany. They made it their business to start a war in the Jewish interest. I, and my friends, made it our business to stop that war, in British interest. That led to a head-on clash, and I still think that we were right in doing our utmost to prevent that war.

The issues between us, and those Jews before the war, were therefore quite simple and clear. They wanted to make a war, and we wanted to stop it. That is the long and the short of the whole matter. There was no question of racial persecution on our part. That was entirely contrary to our principles, which I put on public record at the time. We British were running a great Empire composed of many different races, and any suggestion of racial persecution would have broken it up. For practical, as well as moral reasons, it would have been the gravest error for us to pursue a policy of any kind of racial persecution. The Germans had entirely different national problems, as well as in some respects, a different national character, which was derived from a diversity of historic experience.

Our duty then, was to hold together and develop a multi-racial Empire.

This is doublethink. Mosley presented (and perhaps imagined) himself as neutral regarding jews, yet in the very act of doing so demonstrated a special regard for them and recognition of their special antagonism for himself and his movement.

Another example of Mosley’s attitudes about jews is captured in the article William Buckley Interview, which took place four years after Mosley published his autobiography, My Life. The text of the interview is also available (in Microsoft Reader eBook format) via archive.org, which describes it as a transcript of the Firing Line television program broadcast on 9th April 1972.

Buckley’s very first concern is to explore how Mosley’s fascism relates to the jews.

MR. BUCKLEY: . . . I was instantly struck by the especially laudatory notices given to [the book] in England by members of the left; for instance, Mr. Michael Foot, who called the book, “a dazzling gleam across the whole century. What Mosley so valiantly stood for could have saved this country from the hungry Thirties and from the Second World War”; and from R. H. Crossman, intellectual leader of the Socialist party (laughter), or so he is regarded, “Mosley was spurned simply and solely because he was right.” I think it would be instructive to explore the current and historical meaning of fascism, something we have yet to do on this program, and I want to begin with the understanding that we shall not devote anything like the entire program to it. By touching on racism and fascism, specifically on anti-Semitism and British fascism, I’d like to ask Sir Oswald: do you believe there is a nexus between the two ? anti-Semitism and fascism?

SIR OSWALD: No, none whatever. That was a purely German phenomenon and that really made the whole complication. Germany, of course, under Hitler, was definitely anti-Semitic. There’s no doubt about that whatever — none whatever. That’s all –

MR. BUCKLEY: You’re not going to dispute that?

SIR OSWALD: – too painfully clear. But in the other countries where fascism occurred, in very different national forms, there was no question of it in the origin of the movement. Fascism was, essentially, a national creed — both its strength and its weakness – and, therefore, it took, in every country, a completely different form. And if you are running, as we hope to run, a multi-racial empire, you obviously cannot have a racialist policy. And the quarrel with certain Jewish interests, not with all, by any means, arose on quite different and much later questions.

As with Mosley’s article regarding “anti-semitism”, the substantial, very earnest expressions of deference to or concern for the best interests of jews collectively, as jews, contradicts the very idea that the jews can or should be treated as individuals.

This portion of the exchange is particularly cringe-worthy:

MR. BUCKLEY: Well, now, is it your point that a national minority, whether religious or racial, does not have the right to attempt to mobilize national energy to come to the rescue of a persecuted people in other parts of the world?

SIR OSWALD: I think he’s absolutely, perfectly right in stating his opinion. Anybody should be allowed to state his opinion, but the answer must be allowed to be put. And my answer was that I was against a war with Germany, and I think most of the English were at that time. I quite understood why they were agitating in favour of a war, but the interest of the majority was against it and, therefore, I pointed out that certain Jewish interests were trying to produce a war, which was against the interests of Great Britain.

MR. BUCKLEY: Well, why would you say that it was their Jewishness that was a factor? Why wouldn’t it simply be their humanitarianism? Why shouldn’t a Jew say, “We have reason to believe that this madman in Germany is not only going to threaten the peace in Europe, but is also going to engage in large-scale genocidal ventures which have already been adumbrated, and it is the responsibility of a free and humanitarian people to do what they can to stop him”? Does this become Jewish sectarianism?

SIR OSWALD: No, you’re perfectly right.

Buckley argues that jews are motivated to fight by their jewishness but also that it is the responsibility of “free and humanitarian people” to fight for them too.

The oxymoronic term “national minority” is indicative of this doublethink. In the context of nations and nationalism it is especially obvious that jews think of themselves as jews first and foremost, that jews are naturally distinct from every other nation and, because they are self-obsessed and parasitically bent on infiltration and manipulation of others, are ultimately hostile to everyone else’s nationalism. From their own behavior it is clear that every member of the political elite understands this, more or less. Some, like Mosley, believe they can ignore or finesse this inconvenient fact. Others, like Buckley, explicitly embrace and defend and excuse jews for their hostility.

That non-jews behave so obsequiously with regard to jews – either minimizing their part or joining with them – is an indirect but telling measure of jewish power.

Mosley’s autobiography is available as a PDF via nazi.org.uk. Kerry Bolton reviews Sir Oswald Mosley’s My Life at Counter-Currents Publishing.

(Note: There is no audio download for this program – please tune in via the MP3 Stream.)

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Flatt and Scruggs

Published on June 3, 2013 by in Blog

This month’s special program is a hand-picked selection of classic bluegrass songs performed by Lester Flatt and Earl Scruggs. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.

General Biography:

Probably the most famous bluegrass band of all time was Flatt and Scruggs and the Foggy Mountain Boys. They made the genre famous in ways that not even Bill Monroe, who pretty much invented the sound, ever could. Because of a guitar player and vocalist from Tennessee named Lester Flatt and an extraordinary banjo player from North Carolina named Earl Scruggs, bluegrass music has become popular the world over and has entered the mainstream in the world of music.

Like so many other bluegrass legends, Flatt and Scruggs were graduates of Bill Monroe’s Blue Grass Boys. Because of the unique sound they added (“overdrive,” one critic called it), Monroe felt let down after Flatt’s quality vocals and Scruggs’s banjo leads left in 1948. Quickly the two assembled a band that in the opinion of many was among the best ever, with Chubby Wise on fiddle and Cedric Rainwater on bass; a later band, with Paul Warren on fiddle and Josh Graves on dobro, was equally superb. With so many extraordinary musicians and the solid, controlled vocals of Flatt, it’s no wonder the Foggy Mountain Boys was the band that brought bluegrass to international prominence. From 1948 until 1969, when Flatt and Scruggs split up to pursue different musical directions, they were the bluegrass band, due to their Martha White Flour segment at the Opry and, especially, their tremendous exposure from TV and movies.

More about the Foggy Mountain Boys.

(Note: There is no audio download for this program – please tune in via the MP3 Stream.)

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Destroy Zionism on “Tanstaafl,” with comments

Published on June 1, 2013 by in Blog


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David Lane Interview with Meredith Vieira (1995)

Published on May 1, 2013 by in Blog

This month’s special program comes from Black Sun Invictus. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.

This program is doubly special to us at tWn. This month we mark the first anniversary of our operation, inspired and guided from the beginning by the spirit of David Lane’s Fourteen Words.

Our mp3 audio file was transcoded and assembled from the following YouTube videos:

John Hardon writes:

David Lane stated his views can be best summarised by the 14 words, a term he coined: “We must secure the existence of our people and a future for White children.” He held that view “because the beauty of the White Aryan woman must not perish from the earth.”

Lane believed white people needed their own ethnostate to survive and stated,

“Today, in the year 2005, approximately two percent of earth’s population is White female of child bearing age or younger… The remaining whites are hopelessly integrated, terrorised,brain washed, miscegenated and are rapidly being overrun by six billion coloureds.”

A founding member of The Order, he died while serving a 190-year prison sentence in the Federal Correctional Complex in Terre Haute, Indiana.

In this interview Lane shares his thoughts on the Fourteen Words, the US government, genocide, treason, the jews, Bob Mathews, The Order/Brüder Schweigen, Aryan Nations and more.

The following is the transcript of the entire interview, as transcribed by Stormfront member Northern Bastion from one of the original VHS Cassettes. [PDF, via Solar General]

About one hour into the interview Vieira attempts to have Lane read aloud the Oath Of Der Bruder Schweigen. The sentiments are similar to what Bob Mathews expressed in his Call To Aryan Warriors (part of Internet Archive’s Dr. William Pierce Audio Archive), which includes an introduction and context provided by William Pierce. At any rate Mathews’ presentation to the National Alliance serves as a useful supplement to Lane’s discussion with Vieira.

Note: Two anomalies in Part 3 have been repaired. The section from 0:00 to 4:37 was relocated to in its proper place at 9:42. The section from 4:37 to 5:07 was removed because it is a duplicate of 9:22 to 10:02 in Part 2.

The audio quality is relatively poor but we hope you will agree that it is well worth the effort to make out what Lane has to say. Length: 81 minutes.

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Euro an instrument to enslave all Europe

Published on April 9, 2013 by in Blog


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The Best of Chopin

Published on April 3, 2013 by in Blog

This month’s special program comes from The Best of Chopin on YouTube. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.

Frédéric Chopin, Wikipedia:

Frédéric François Chopin (pron.: /ˈʃoʊpæn/; French pronunciation: <200b>[fʁe.de.ʁik ʃɔ.pɛ̃]) or Fryderyk Franciszek Chopin[1] (1 March or 22 February 1810[2] – 17 October 1849) was a Polish composer and virtuoso pianist. He is widely considered one of the greatest Romantic composers.[3] Chopin was born in Żelazowa Wola, a village in the Duchy of Warsaw. A renowned child-prodigy pianist and composer, he grew up in Warsaw and completed his music education there; he composed many of his mature works in Warsaw before leaving Poland in 1830 at age 20, shortly before the November 1830 Uprising.

Following the Russian suppression of the Uprising, he settled in Paris as part of Poland’s Great Emigration. During the remaining 19 years of his life, Chopin gave only some 30 public performances, preferring the more intimate atmosphere of the salon; he supported himself by selling his compositions and teaching piano. After some romantic dalliances with Polish women, including an abortive engagement, from 1837 to 1847 he carried on a relationship with the French writer Amantine Dupin, aka George Sand. For most of his life Chopin suffered from poor health; he died in Paris in 1849 at age 39.

The vast majority of Chopin’s works are for solo piano, though he also wrote two piano concertos, a few chamber pieces and some songs to Polish lyrics. His piano works are often technically demanding, with an emphasis on nuance and expressive depth. Chopin invented the instrumental ballade and made major innovations to the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu, scherzo and prélude.

Length 1:54.

(Note: There is no audio download for this program – please tune in via the MP3 Stream.)

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Copyright and Re-posting Policy

Published on March 29, 2013 by in Blog


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Thoughts on the Jewish Problem and the HoloHoax

Published on March 27, 2013 by in Blog


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The Lost Recordings George Lincoln Rockwell Texas 1965

Published on March 1, 2013 by in Blog

This month’s special program comes from The Lost Recordings George Lincoln Rockwell Texas 1965. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.

Ladies and gentlemen, the following is a talk by the late commander of the American Nazi Party, Mr. George Lincoln Rockwell. The occasion was in Dallas, Texas, in 1965, where approximately 75 prominent Dallas citizens accepted a personal invitation to gather at a private home to see and hear Mr. Rockwell.

Rockwell delivers a sober, plain-spoken overview of the racial and political situation in the United States circa 1965, and offers his grim analysis of why Whites had been losing to the jews for so long.

The only way, folks, that we can win, the only way we can stop the extermination of the White race, the White Christian people that built this country, on behalf of the jews and the niggers, there’s only one way you can do it. You have got to win your people back.

The audio quality is garbled in the first minute or so, but clears up after that. Length: 107 minutes.

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Daemonia Nymphe

Published on February 1, 2013 by in Blog

This month’s special program features the music of Daemonia Nymphe, and will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program. Enjoy.

From Daemonia Nymphe at Wikipedia:

Daemonia Nymphe (Δαιμόνια Νύμφη) is a Greek music band established in 1994 by Spyros Giasafaki and Evi Stergiou. The band’s music is modeled after Ancient Greek music and is often categorized as ethereal, neoclassical,[1] neofolk, or gothic.[2]

Daemonia Nymphe uses authentic instruments, including lyra, varvitos, krotala, pandoura and double flute, which are made by the Greek master Nicholas Brass.[3] Their shows are very theatrical, with members wearing masks and ancient dress. Their lyrics are drawn from Orphic and Homeric hymns and Sappho’s poems for Zeus and Hekate.

The music has been transcoded from Top Tracks for Daemonia Nymphe at YouTube:

  1. Hymn to bacchus
  2. Invoking Pan
  3. Daemonos
  4. Dance of the Satyrs
  5. Krataia Asterope
  6. Summoning Divine Selene
  7. Ida’s Dactyls
  8. Sirens of Ulysses
  9. Hades
  10. Bacchic Dance Of The Nymphs
  11. Dios Astrapaiou
  12. Calling of Naiades
  13. Nymphs Of The Seagod Nereus
  14. Mouson
  15. Ecstatic Orchesis
  16. Calling of the Twelve Gods
  17. Hymenaios
  18. Divine Goddess of Fertility
  19. Esodos
  20. Oceano
  21. To Goddess Mnemosyne
  22. Divined by Trophonius
  23. Nocturnal Hekate
  24. Tyrvasia
  25. Hypnos (Beefcake remix)

(Note: There is no audio download for this program – please tune in via the MP3 Stream.)

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